← Explore the workflow

Production planning

Turn the script into a shooting plan.

The cake is written. Now somebody has to find the bus. Connect the pages to the people, places, days and paperwork that make the shoot possible.

Try the sample ↓
A new day. The details come along.

Bring this

A draft ready for prep, or a production already taking shape.

Take this forward

A schedule, call sheets, and a crew ready for the day.

Night Bus · Guided demo

Move the scene

A fictional production. Changes stay here and disappear when you leave.

Give the scene a different shoot day. Its people, place and prop come along.

Day 1

1 · INT. NIGHT BUS — NIGHT

Day 2

No scene scheduled in this example.

Night Bus · Sample call sheet

Day 1

Scene
1 · INT. NIGHT BUS — NIGHT
Cast
Dev · Driver
Location
Route 12 bus
Props
Cake box

Your turn. Try a control and see what changes.

01 / Production planning

Give prep a dependable script.

Number scenes, tag production needs, issue colored revisions, and lock pages when needed. Breakdown reports, sides and shot lists draw from those scenes rather than a second set of notes.

See how it works →
The cake is a prop. The bus is a vehicle. Both have a place in the plan.

02 / Production planning

Put people and places on the calendar.

Organize cast, crew, locations and availability. Arrange scenes on the stripboard, check conflicts and day out of days, and prepare call sheets. Tasks, calendars and travel keep office coordination connected.

See how it works →
Check who can work before asking the day to do too much.

03 / Production planning

Let the schedule inform the numbers.

A budget line can use schedule-derived quantities, such as an actor’s work days. Production includes the linked top sheet; Studio adds actuals, fringes, scenarios and multiple currencies. Moving a scene in this sample illustrates the call-sheet link only.

See how it works →
Budget quantities can use the scheduled work days.

04 / Production planning

Keep the office in the same production.

Store and version files, distribute paperwork, assign tasks, publish travel to the calendar, and prepare crew announcements. The details that do not fit on a screenplay still belong to the production.

See how it works →
A calendar for the work around the shoot, too.

Your next step

Keep the day moving. Keep the record.

A schedule, call sheets, and a crew ready for the day.

On set and wrap

Plan availability

Production and Studio. Production tools require an account. Budget actuals, fringes and scenarios: Studio.

Compare plans →

Start wherever your story is.

These are possible next steps, not gates. Begin with what you have, and come back whenever the story asks.

Free desktop writing. Browser writing with a paid plan.